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Monthly December 2016
Writing Horror – Screaming In The Dark

It seems an odd thing to do, to write horror. When there are a wealth of genres out there, when I could be writing about perfect love or fantastic dragons or gun-toting cowboys, why choose to create the most terrifying, the most soul-shredding, the most unwelcome?

My answer is a simple one: because I like it. I like horror.

I like to read it, I like to watch it, I like to think about it, and I like to write it. If I didn’t, I wouldn’t.

As to why I like it, that’s a more complicated question, with a different kind of answer.

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As a child, I was scared. A lot. Most of the time. Not that I wasn’t a happy child, with a normal family and normal surroundings and normal friends. I was. Perfectly normal. But I was also perfectly scared. There was a seeping, creeping horror that hovered around me, enveloped me, and at night I would scrunch my eyes shut and hide beneath the covers in the hope that whatever it was wouldn’t see me because I couldn’t see it.

And there was, as far I can tell, as far as I can remember, no reason for it. Nothing that particularly stands out as being that one specific moment in which something happened – something ghostly and ghoulish and downright petrifying – that haunted me for the rest of my days.

I was a normal girl, but a strange one.

Being alone was bad. I hated it. These days I crave a bit of solitude, but then, when that fear stole over me, I only wanted to be around people. It’s just that sometimes, there were no people to be around. And so I created some. I reached the age of twelve and simply decided that I needed constant, immediate access to someone.

But who? And how?

I started to go to bed and instead of cowering under the covers I moulded myself heroes and heroines, safe houses and refuges. I began to make up stories. These stories became my talisman, protecting me from the real evil by pretending about it. It seemed to me that nothing in the real world could possibly be as frightening as the world I was creating in my head, and so my heroes were slain, horribly. My heroines were kidnapped and tortured. My safe houses and refuges were pillaged by monsters and demons and ghosts.

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And because I’d made it all up, just me, by myself, it wasn’t so scary after all. I enjoyed it. And I began to write my stories down. I began to read other people’s stories. I began to watch the films. Because it was all safe. It was all made up.

I’ve been doing that ever since.

Just don’t ask me to read or watch any ‘true’ horror stories.

They keep me up at night.

If you would like me to write horror for you – or anything else – please don’t hesitate to get in touch.

Short Story: My Gingerbread House

I wanted a gingerbread house. They asked me what I wanted for my birthday, and I told them, a gingerbread house please (making sure to say please as I knew they liked it when I did that). They ummed and ahed about it, but I was pretty sure it was going to come off. The kids at school would go crazy when they saw it. I’d have to invite everyone over to see it, it would make them like me. It would have to. I mean, who wouldn’t like someone with their very own gingerbread house? If it were me, and some kid came up to me at school and told me they had one, I’d be their BFF just to get to see it, maybe to eat a bit of it.

I was so excited about it that I told everyone in advance that I was getting one. And the excitement was kind of like a disease or something because in the end everyone had it. Even the teachers were a bit less strict, as though they thought I might ask them if they wanted to take a look. But I wouldn’t do that. That is not something a popular kid does, and all of a sudden I was popular.

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My birthday was a Saturday and I told everyone to get to my house for around lunch time, because there would be plenty to eat and I didn’t think my parents would mind. Turns out they did sort of mind because they had planned to take me out to lunch, which they did, and by the time we got back there were dozens of school children – and quite a few parents – milling around in our front garden, waiting to be let in.

This was it. This was the big unveiling, wasn’t it? This was when my parents were going to show off what they’d bought me and the others, my friends, I guess, would be impressed.

My parents were probably still in a bit of shock over the number of people who had turned up, especially when I hadn’t mentioned that anyone at all would be coming over. I never had people over, so that was a surprise right there. But they were gracious about it, invited everyone in and set about making teas and coffees, offering juices and squash, rummaging around in cupboards to find snacks and biscuits to offer around. Some of the parents – most, maybe all – guessed this was a bit of a shock for mine, and they suggested coming back later, or the next day, or the next week. Whatever. But I couldn’t have that, not when I was about to get my gingerbread house. “No, it’s all right,” I said before my mum and dad could open their mouths. “Really, isn’t it? Isn’t it?” I insisted.

Mum and Dad smiled, a little stiffly, but what else could they do? “Of course,” said Dad, nudging Mum. “Isn’t it?”

Mum nodded.

The room did not relax. If anything, the atmosphere got more strained. No one was really speaking, there was a lot of foot shuffling and throat clearing. “Nice coffee,” someone murmured. My mum thanked them, glanced out of the window at the garage, looked back into the room. “Well, we were going to do this later,” she declared, the silence shattering at the sound, “But since everyone’s here…” She gave a fleeting look at my dad, willing him to take over. Ten years of marriage and he knew what to do. “Yes, the big unveiling. Do you want your main present?”

I was tempted to shake my head, say no, do it later, forget it completely, it doesn’t matter because I was gripped with the terrible sureness that they had got me something else. Something that, although most probably amazing and brilliant, was not what I had promised the guests. Instead I grinned and jumped up and down and said, “Yes please!”

This cheered my parents up quite a lot. My being happy always put a smile on their faces, which is why I didn’t want to be a pain about things. My dad trotted off to the garage, and my mum ushered everyone into the garden. She looked pretty excited by this point. She was sort of glowing with the fun she was having, showing off what she’d bought me. Fair enough. If it made her happy…

And then there was a strange squeaky sound, and my dad was pulling a massive something covered in a sheet along the grass on a platform, the wheels making the high pitched yelping as they rolled. “Ta da!” Dad shouted tunelessly as he got near to us. He whipped off the sheet and there, golden brown and chocolaty sweet, there in front of me was a gingerbread house. Bet you thought it was going to be a cake or something. It wasn’t. It was huge, and it was mine. The crowd gasped, and there was a spattering of applause from the adults. The kids just stared.

“Is it all right?” asked Mum, a bit breathlessly. “Is this what you wanted?” asked Dad, a lot breathlessly.

I said nothing. I walked up to it, sensing my school mates behind me, itching to rush forward and start chewing. The pink and white candy canes, the massive chocolate buttons, the red and black liquorice laces, the sprinkles, the sparkles, the sherbet and the jellies… it was beautiful.

Before I could stop them, I had tears on my cheeks. That was unexpected. That was unwelcome. But it emptied my head of nonsense and it set my brain thinking. That feeling of tension was still behind me. It was palpable, a living thing raring to be set free. But I, I chose to keep it caged.

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“Thanks for coming,” I said, turning around to face them, their red faces and gleaming eyes looking through me at the gingerbread house. “You can go now.”

Faces dropped. Parents looked at one another. Kids laughed, then stopped because my expression told them I meant it. “Er, that’s not very polite,” my mum said, attempting to save me from exile. I shrugged. “I’m not trying to be polite,” I said. “I’m saying these bullies, these jokers, these snobs who think they’re better than me, the ones who pull my hair and steal my lunch money, the ones who copy my homework and kick me and laugh at my clothes, I’m saying this is mine. All mine. Goodbye.”

I turned back to the wonderful, amazing, magnificent gingerbread house and waited. Slowly, I could feel the crowd growing less until I was alone.

Just me and the gingerbread house.

As it should be.

What’s So Great About Book Tokens?

The humble (actually, not so humble) book token is something to be celebrated. It’s not only something that could (and is by many) be considered a national treasure, but it is also one of the most wonderful gifts anyone can give.

Why?

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Books are intensely personal things. These magical worlds that can be escaped into are different for everyone. And just because one person found something to understand, something that spoke to them in one book, it doesn’t mean someone else will. So buying books is something that is fraught with danger. It’s too hard. It’s too difficult to get right.

And what if the recipient already has that novel, that biography, that cookbook?

A book token solves all of those problems. Giving a book lover a book token is like giving them the key to their own universe. They can go into a book shop full of confidence, knowing that they can buy one, two, three – maybe even more – books that they want. Not ones that others have chosen for them, not ones that others have presumed they will enjoy, but books that they have had on their wish lists for months, years, their whole lives.

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It’s the choosing of the books that is the gift, and it’s a generous one.

It’s a magical moment. It’s a freeing feeling.

Now isn’t that the perfect gift to give a loved one? I think so.

What’s more, book tokens can be personalised, making them even more special. Whether it’s a card that can be coloured by the recipient as any extra treat, or one that has their happy face all over it, these book tokens are pure joy.

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National Book Tokens can be bought and spent in thousands of bookshops including independents, Waterstones, WHSmith, Blackwells and Easons. They can be spent on eBooks at The Indie eBook Shop (indieebook.co.uk) and online at Foyles and O’Mahony’s.

You can get yours here: http://www.nationalbooktokens.com/buy

 

Peacock Poetry Prize returns for Brighton Festival 2017 with theme of ‘everyday epic’

Brighton Festival is delighted to announce that this year’s Peacock Poetry Prize will have the theme of ‘everyday epic’, a subject chosen by Brighton Festival 2017 Guest Director Kate Tempest.

From a pebbled beach to a stranger’s smile, from a sporting milestone to a quiet read, budding writers are invited to reflect on the small observations and achievements of our daily lives which we piece together to celebrate and share our common humanity.

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Kate Tempest says: “Music, literature, theatre, film – these things are so important, they bring us together into the same space, they give us ourselves, they bring us to life, they beam our humanity back to us in all its hideous beauty. And in these times, with the fear spreading everywhere and the divisions between us deepening daily, we desperately need to remember that we are all part of the same thing.”

The annual creative writing competition, produced by Brighton Festival and Brighton, Hove & Sussex Sixth Form College (BHASVIC), encourages young writers to explore the written word from a creative point of view and aims to get young people writing right across Sussex. The competition asks local poets aged between 8 and 19 years to explore and respond to a specific subject in an imaginative and inventive way. Submissions are divided into four age groups: 8-11 years, 11-13 years 13-16 years and 16-19 years. In addition, this year the Brighton and Hove environmental education project (BHee) will also be giving a special prize to a school pupil whose poem celebrates our interaction with the natural world.

Pippa Smith, Head of Creative Learning at Brighton Dome & Brighton Festival said: “The Peacock Poetry Prize is a fantastic opportunity for young people to get involved with Brighton Festival. I’m always taken aback at the number and range of submissions we receive, and this year I hope Kate Tempest’s theme of ‘everyday epic’ will inspire our young writers’ imaginations to produce some wonderful poetryonce again.”

William Baldwin, Principal of Brighton Hove & Sussex Sixth Form College, said, “I am delighted that BHASVIC is once again able to promote the Peacock Poetry Competition with Brighton Festival across Sussex. I’m very much looking forward to reading this year’s entries on the theme of ‘Everyday Epic’ and to meeting the runners-up and winners in May!”

The competition is open to residents of Brighton & Hove, East and West Sussex. Each budding writer may submit up to three poems with a maximum length of 20 lines per poem. Entries must be emailed, together with full name, age and date of birth to peacock@brightonfestival.org or posted to Peacock Poetry Prize, Brighton Festival, 12a Pavilion Buildings, Castle Square, Brighton BN1 1EE.

The deadline for entries is 5pm on Monday 3 April 2017. Finalists and their friends and relatives will be invited to a reception in Brighton Dome Thursday 25th May 5 pm when the winners of each age category and the BHee prize will be announced.

Sweet Oblivion – Interview with Debut Novelist Rhiana Ramsey

Murder, intrigue, and sex combined with a shocking conclusive twist – Sweet Oblivion is the tense debut novel of Sussex writer and serving police detective, Rhiana Ramsey (pseudonym).

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What genre would you classify Sweet Oblivion as?

I’d describe it as a dark crime thriller thread with eroticism.

Tell us about your book – why this story and the focus on S&M?

The story follows DC Elizabeth Lane and her colleagues as they hunt down the killer of the chilling emasculating murders that keep happening around town.

With my history serving as a police detective I’ve always been fascinated by the psychological angle of a killer. I wanted my character to hold true power over men and a dominatrix character was the perfect way to convey this, while weaving in some elements of S&M. With the release of 50 Shades of Grey this area of eroticism has become more mainstream and a subject people are interested in reading about.

What was your reason for setting the novel in London?

I worked in London for many years and know the area very well. My knowledge and background of the city made it easy to visualise my settings and scenes.

This is your first completed novel. What gave you the courage to write the book and what inspires you to write?

When I first started writing my book I was a single woman, completing my psychology degree whilst working full time in the Criminal Investigation Department and yet I was felt something was missing. I needed an outlet. I find writing therapeutic and an opportunity to take a step back from the real world.

When I first put pen to paper so to speak to write Sweet Oblivion I had no idea where it was going, but I got the bug and began to create storyboards and backgrounds for all my characters.

Throughout my life I’ve suffered with depression. When I was younger I used to write music, I still do on occasion, but these days I prefer creative writing as, it provides me with the perfect opportunity to escape and have complete control of a story – the situation, characters and outcome etc.

I suppose I actually wrote my first book when I was 12. It was called ‘Ravenscroft’ and was based upon a satanic crow that encouraged a pack of wolves to kill for him – needless to say it wasn’t published but I’ve obviously always seemed to have a passion for the macabre from a young age. My policing experience in my adult life has helped to re-ignite my imagination and it’s this that has ultimately led to the creation of Sweet Oblivion.

How long did the book take to write?

The book actually took nearly three years to complete from conception to publication however the bulk of the writing was completed in two months when I decided to take time off work.

What made you finally sit down and complete your book?

Work was tough, I’d been in court as a victim after dealing with a bad relationship and I lost my father all in a matter of months. Everything happened at once and I needed time out. I took two months off from the CID and that gave me the time to complete my manuscript.

At what point did you know you were ready to publish?

As soon as I’d finished writing the first draft I knew I was completely happy with the story. However, I spent about six months editing and tweaking little snippets before I finally submitted the manuscript to the printers.

What made you decide to self-publish and do you think this was a positive or negative experience?

It was a very positive experience! I decided to self-publish after speaking with a couple of agents who only seemed to show interest in you if you could prove you had a following already and were ultimately going to make them money. Being a self-published author means you have more control over what happens and if you have the time to promote it properly, it can be a very successful and enjoyable experience.

What would your advice be to anyone hoping to self-publish?

Unfortunately, as with most ventures, you need to have a little bit of money behind you to get started. Most people these days don’t actually print, they self-publish online. Whilst printing can often be expensive (and you should pay a little more for a good quality printer), it’s the most amazing feeling when your book turns up in the post.

What are you reading at the moment?

I’m currently in the middle of reading Kane and Abel by Jeffrey Archer who’s one of my all-time favourite authors. Once I’ve finished that I’ll dive straight into the seventh Clifton Chronicles novel – This Was a Man – I’ve been waiting with baited breath for it to come out.

In this day and age, do you prefer e-readers or a hard copy book?

An e-reader will never outsell a classic hard copy in my opinion. I love the feeling of actually reading a printed story and holding the book in my hands.

With the release of your first novel, what are your ambitions for your writing career?

I know it’s very clichéd but I would love to become a full time successful author. I dream of being able to live off my completed novels and write books from anywhere in the world.

If Sweet Oblivion was made into a film, which celebrities would you love to cast as your characters?

That’s a tricky one. For my main character, Louise, the actor would need to be intelligent, attractive and have an athletic build, perhaps someone like Mila Kunis who often plays relatable characters. I would love for Sandra Bullock to play Elizabeth as she is seen as a strong, attractive and savvy woman just like my character.

Now you’ve written your first novel, could there perhaps be a second in the pipeline?

I am in the early stages of writing another novel, which will also involve Elizabeth, but that is all I can say for now!

 

What Does Every Writer Need?

Since it’s (almost) Christmas time, I thought it would be a good idea to mention a few things that the writer in your life might appreciate during the festive period. So why not take a look at these gift ideas? Remember, what a writer really wants is a bit of time to write… In the meantime, these will also do nicely:

An Old Typewriter

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It has always been a dream of mine to come across an old, dusty typewriter in a junk shop and bring it home with me where I set it up on a proper heavy oak desk and use it to create masterpieces. It may not be practical, and it may be making more work for myself (no copy and paste, no find and replace, no saving here), but the idea of those click-clacking keys and my hands dancing across them just like Jessica Fletcher still resonates.

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An Old Typewriter With A New Twist

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credit: USBtypewriter.com

No, not an electric version of the good old machine mentioned above, but a totally modern concept in typewriters. I’m talking about a USB typewriter. The fantastic kits from USBTypewriter.com allow you to transform your old typewriter into a gorgeously quirky new one. Simply plug in your tablet so that you can save things and amend your prose with ease, and you still get that authentic typewriter feel and sound. The best of both worlds? Maybe so.

Waterproof Notepad

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Now this one is super useful. Why is it that writers often have their best ideas in situations when it’s impossible to write them down? By the time we get to a notepad and pen, the ideas has been diluted down and the initial rush of excitement has withered. In the worst cases the idea is lost forever. For many, the shower is the place where ideas come flowing freely, and a waterproof notepad from AquaNotes would work wonders. No idea ever need to be lost again.

Intensely Strong Coffee

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My working schedule involves me getting up early (5am) and working for a few hours until the school run starts. Then it’s back to it for as long as possible. But sometimes as long as possible isn’t very long, despite looming deadlines, which is why coffee is an essential part of my writing toolkit. A crazily strong brand of coffee (Death Wish Coffee springs to mind – the name is enough to wake me up, and this is, indeed, the strongest coffee in the world after all) is just about the most wonderful gift a writer can be given.

A Nice Tipple

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By the time evening rolls around, it’s time to pack up my day time writing and bring out the night time stuff. So the blogs and the non-fiction are all saved and closed down, and the fiction finally gets to come out to play for a bit. Now, as Ernest Hemingway so eloquently said, it’s best to ‘write drunk and edit sober’. Not that I’m advocating having a huge amount of alcohol to drink, but a little sip of something is a nice treat at the end of the day. A good slug of dry gin from Anno Distillers in Kent (with some tonic, of course) is the perfect end to a writing day.

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No matter what kind of writing you need, I can help you. Please get in touch – and have a lovely Christmas.

Why Do You Get Your Ideas From?

Where do you get your ideas from?

It’s that question. The one that writers detest and interviewers love.

But why do we dislike answering that one so much? Or do we? Perhaps, now, it’s a self-fulfilling prophecy; we’re told that we should hate it, that’s it’s anathema to our creativity. And therefore, when we hear it, we do hate it, it does feel like giving away too much. Even if we have an interesting response. Even if we’re quite sure that our readers would like to know the answer.

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I don’t mind it. If I’m honest, I quite like it. As a question it’s much better than being asked why I started writing (umm… I just did… I just gave it a go and quite liked it… er… something about school and an English project…) or why I write horror (I enjoy reading it, I enjoy writing it) because I never have proper answers for those ones. I always feel a bit of a fraud, a bit like I’m grasping for something – anything – to say just to sound interesting and intellectual.

At least with that question I can answer with either a piece of pure fabrication, or complete honesty. It simply depends on whether I can remember where the idea came from, and if I can whether it was an interesting occasion. Although, admittedly, even when telling the absolute truth my answer will vary from day to day, story to story to novel to flash fiction to poetry… Because that’s the beauty of it. Ideas come from everywhere and nowhere. They are incredible, intangible things that appear in a dream or a cloud or are gleaned from an overheard word or a misunderstood laugh. They are magical, existing in nothing, invisible and incomplete until they are written down and given form and meaning.

If I were asked where I got my idea for my current novel, I might say it was the main character, Jude, who came first. Just popped into my head. Or was it a dream? Did I see him on a train, or walking down the street? Perhaps I based him on someone I know, or someone I’d like to know, or someone I’d never want to know. Or I could say that it was the thought of murders that looked like accidents, and that that idea came from a newspaper, or I looked at a bus and wondered what it would be like… well, you know. It could even have been a song I heard on the radio. Maybe I didn’t quite catch the lyrics and made up my own, and maybe they led me to my first line, which then set the tone for the rest of the book.

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A head full of ideas…

Say anything. When asked that question, say what you like. Because who is to say what is right and what is wrong when answering, when telling the person who put the question what they want to know?

Equally, who can describe an idea? Not me. They aren’t there, are they? They aren’t real. Except that they are, utterly and incontrovertibly real. Without them we’d be nothing. And not just writers, but scientists, artists, doctors, teachers, lawyers, children, adults, anyone and everyone. Think about it… There, you’ve just had an idea. Just like that.

Now what are you going to do with it?

If you need help, advice, or writing services, please contact me.

Short Story: Origami Army

Arthur sat, barely moving, hunched over, crunched into the wooden desk in front of him. His desk. The desk at which he was supposed to be performing some sort of miracle so that his boss wouldn’t call him into his office, tell him the figures were not good enough, and send him home. And remind him not to come back. So he supposed it wouldn’t be his desk for long.

Despite knowing this, despite having been told that this event was definitely going to take place on or around today if he didn’t get his act together, and sharpish, Arthur couldn’t bring himself to even turn on his computer. He knew what would happen if he did; it would whir into being and whirl into his day without a second thought, this hateful, dead and living thing that couldn’t help him now. In fact, knowing the true state of everything, the numbers glowing hotly out from the skinny monitor, laughing at him because they knew what they meant even if he didn’t, would most likely make things worse.

So he sat at his desk and did no work. He stayed hunched over, his hands moving and nothing else, creating. Origami. Every time Arthur was stressed or angry he took a deep breath, took a piece of paper, and took the time to fold it into the approximate shape of a crane. It was the only shape he could do, and even then not very well. But it was better than letting that stress and anger do what it really wanted with him, and take him over so that he became a beast that even he didn’t recognise. That’s what had happened with his wife. With his children. With his friends who were friends no more. He told himself that he couldn’t afford to lose anything else but the reality was that he had nothing left to lose.

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After a lifetime of seconds which fizzed with such an urgency that it made Arthur think of a bowling ball bomb from a kids’ cartoon, he heard the door behind him open. It startled him momentarily before he ducked his head back down and continued his paper folding. It was only the boss. He was only going to be fired. It was fine. Fine. He folded faster, cutting himself on the lip of a wing, the paper slippery in his sweating hands, the edges secretly sharp.

“Arthur.” The voice was smooth, deep, filtered through years of management speak and the more than occasional brandy. “Arthur, do you remember what we spoke about the other day?”

Arthur nodded, irritated by the interruption but determined not to let it show. Instead he carefully positioned the lopsided crane, fashioned from one of his many important reports that sat – until now – in the in-tray, so that it joined the ranks of the others. He then reached towards the diminishing pile of paper (scrap, he called it, although it wasn’t entirely that and the boss was sure to mention it sooner or later) and started to make a new crane, hoping it would be better than the last poor effort.

“…poor effort.” The boss had been speaking, but Arthur had not been listening. He had been busy, and why could the boss not see that?

Arthur nodded with no idea what he was nodding about. He sat up suddenly, breathing deeply, blinking in the fluorescence of the office and noticed something surprising. His desk was covered, literally covered with no spaces and no gaps, with origami cranes. Hundreds of them. A thousand? It could be. It certainly could be. He smiled. He had no memory of making them but what the hell, what did it matter when they were there?

He stared at them. Willed them to move. And they did. Slowly. Juddering along the desk and then, as one, taking off in jerky, beautiful flight. Arthur spun in his spinning chair to watch them go, to watch them as they flew at the boss, pecking and biting and flapping at him. Drawing blood. Scratching and snarling and screaming as they went so that their screams matched Arthur’s, his delight and pure pleasure manifesting itself in a primal childlike cry.

And then they fell. Hundreds – or a thousand, or a million for all Arthur knew – roughly hewn origami cranes lay broken and dead on the floor.

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The boss stepped backwards away from Arthur’s desk, his hands held up in defeat, his eyes wide and fearful, his tongue tied with wonder at the strange and dangerous man who was now laughing at the balls of paper he had swiped from his desk and onto the floor.

“One more chance, eh, Arthur?” he whispered as he left the room. “I’ll speak to you next week.” And then he was gone.

Arthur sat alone at his desk, shoulders shaking where his laughter had grabbed them. He reached towards the pile of reports that still sat in his in-tray, pulling one towards him, and began to fold it into the approximate shape of a crane.

New Novel To Be Released: Trip Trap

I have had many novels and short stories published since 2010 when I began writing. Each one has been exciting, and I’m proud of each of my publications.

But Trip Trap, my latest novel, is very important to me. I have taken the decision to self-publish all of my work from now on, and Trip Trap is the first.

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Over the next few months, I will be re-releasing all of my older published works, as well as publishing a new children’s novel, a murder mystery, and a family saga. In the meantime I am also writing a new horror novel for adults, and I am putting ideas together for a collection of children’s stories.

2017 is going to be exciting – I will be writing and publishing more fiction throughout the year. It’s something that I have let fall by the wayside a little as I’ve concentrated on my freelancing services, but I am going to be making more time to keep my fiction writing dreams alive.

I hope you like what I come up with. Here is the beginning of the book…

A quick kiss on the cheek for his wife, and William Spender stepped out of his house and into the early evening warmth. His front garden, bursting with late spring flowers, colourful, new and fresh, gave off the scent of lavender and life. He loved it. He could feel his heart swell because of it.

This was his favourite time of year, April turning to May, with its blossoms and lightening evenings. He took in the smell of cut grass from the meadow just below the horizon, and watched the farmer as he toiled back and forth on his tractor in the field beyond. William could hear the buzz of the engine as it worked.

Perfect.

Except for the heat. Too hot for spring, this was summer warmth, summer sun. It was getting too much, which is why William used the early evening time, before it was dark but after it was sweltering, to take Cliff for a walk.

“I won’t be too long,” said William, turning back, speaking as an afterthought when he realised the door hadn’t closed behind him. He tugged at the lead he held loosely in his hand, enticing the weary old dog attached to it to start creaking his way down the little path to the wooden gate that led out onto the quiet country lane. “An hour at the most.”

Martha smiled indulgently. She knew her husband. An hour would become two in a moment, would become three if the dog would allow it, although at fifteen the poor thing didn’t allow for much at all. “Take your time,” she said, raising her voice so that the man would hear her. He was already unlatching the little gate. It creak-squeaked as it always did, a comforting, familiar sound, two little pips. “Dinner won’t be ready for a while yet, and if you’re not back it’ll keep. Anyway, that dog needs some exercise.” She winked, saying no more. Not needing to. Not wanting to nag too much. Not now.

William shook his head, his cheeks firing red. “He’s not the only one, I know, I know,” he said, trying to sound good-natured, almost making it. He patted his belly where it folded over his belt and hung down over the top of his trousers. Nothing wrong with it. Nothing at all. And anyway, he was retired, enjoying life. Why not gain a little weight, a little warmth? He was fairly fond of his belly.

Martha tutted and shut the door, not keen to let any little creatures make their way inside. She had been bitten enough the night before with the window left open, and she was damned if that was going to happen again. Her ankle was swollen from whatever had had a go at her. She wished she’d never scratched it, sure she had made it worse. A nice soak in the bath would soothe it, and there would be time before William returned. A cool bath. Cold. The idea itself immediately relaxed her. She smiled and meant it, and then almost ran up the stairs, the call of the chill water becoming far too great to resist.

It was too hot to do anything else.

RatesRates

My pricing guidlines

Type of Publication

Type of Work

£

Magazine Writing & research per 1000 400
Magazine Editor per day 250
Magazine Sub-editing per 1000 120
Magazine Fact checking per day 200
Newspaper (regional) Writing & research per 1000 220
Newspaper (regional) Sub-editing per 1000 95
Newspaper (regional) Fact checking per day 200
Newspaper (national) Writing & research per 1000 700
Newspaper (national) Sub-editing per 1000 450
Newspaper (national) Fact checking per day 200
Online/digital media Writing & research per 1000 180
Online/digital media Sub-editing per 1000 95
Online/digital media Fact checking per day 200

MY RATES

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WHAT I CAN DO

Blog Writing

A blog is an essential tool in ensuring your website is seen. I can create regular blog posts that will move you up the rankings and give you a better placement within your industry.

Ghost Writing

Have you ever wanted to write a novel, memoir or short story but don’t have the time? Do you have the ideas, but the words don’t flow? I can help. Contact me for a confidential chat.

Articles

I am happy to carry out research, conduct interviews, and write/edit articles of any length. Contact me for more information about my rates and services.

Web Content

From your home page to your about me details and everything in between, you want a website that has snappy, interesting, high quality content. Let me create it for you.

Sales Letters

If you have a product that you want others to know about, you need a sales letter that is going to get attention – and keep it. I can write that letter for you.

Emails

Are you thinking of starting an email campaign but don’t know what to include? Or perhaps you want to send a special email to that special someone, but you can’t think of the right words. Contact me and we can discuss exactly what I can do to help.

Product Descriptions

Selling products online can be an excellent way of making a business, but if your products sound boring and your descriptions are dull, no one will want them. I’ve written thousands of products descriptions, and I can make your products shine.

Copy Editing & Proofreading

Have you written something that needs that extra level of checking? With my years of experience I can proofread or copy edit your work so that it’s the best it can be.

Social Media Management & Digital Marketing

Getting your digital marketing and social media strategy right is essential. I can provide and implement a social media marketing plan that works for you. Contact me to find out more.

About MeAbout Me

I'm a content writer

Excellent work by Lisamarie, on time, great quality and constant communication. Would not hesitate to recommend and in fact use again as soon as opportunity arises.

Andreas K
Andreas K

Lisamarie was great to work with - she did a fantastic job that completely met the brief and was delivered before the deadline.

Helena W
Helena W

Quick and brilliant, nailed the brief! Will work with her all the time 🙂

Roshni S
Roshni S

Fantastic work A++++

Rob C
Rob C

It was a pleasure to work with Lisamarie, she adjusted to our workflow and process with ease and completed work quickly and effectively.

Geoff J
Geoff J

Lisamarie is a very good writer and is very easy to work with. She reacted well to my guidance and provided me with content I'm very happy to use. I look forward to working with her again soon.

Ola F
Ola F

Great work from Lisamarie, articles are exactly what we wanted

Matthew E
Matthew E

Brilliant work from Lisamarie. I would definitely retain her again and recommend her to others.

Brad B
Brad B

REVIEWS

I started writing in my late teens but it was only with the birth of my daughter that I decided to write more seriously, with the aim of publication. Since that decision in 2010, I have had over 40 short stories published in anthologies and magazines.

Find out more about my publications on my Amazon Author Page.

I am the features and online editor for insideKENT and insideSUSSEX magazines.

I am also a freelance writer who has ghost-written hundreds of blog posts, articles, reviews, fiction, and more.

I live with my husband, daughter, and a cat called Cheryl in the Kent countryside next door to a field full of horses.

http://www.facebook.com/lisamarielambwriter

http://www.twitter.com/lisamarie20010

MY STORY

my blogmy blog

my diary
The Weird and Wonderful World of Writing Superstitions

Just as with many professions – musicians, sports players, even medical professionals and plenty more – writers have a variety of weird and wonderful writing superstitions that are as unique to each writer as their own writing style.

Writers, however, seem to have more than anyone else.

Whether that is because good luck and excellent timing can – by some – be seen to be the way to gain success in the fiction industry, or whether it is because the muse does not always deign to make an appearance when we want (or rather need) her to, who can say? The point is, writers have superstitions that offer them peace of mind. And a peaceful mind is often the first step in creating something beautiful.

 

The Weirdest Superstitions…

Edith Sitwell was a British poet, and she certainly enjoyed having a clear mind. However, the only way for her to clear that mind was to lie in an open coffin before beginning work.

Truman Capote would never, ever start or finish a piece of writing on a Friday. And neither would he write sitting down; he always had to lie down to get anything done.

John Steinbeck wrote all of his first drafts in pencil. Perhaps not so strange. But he did always make sure he had 12 sharpened pencils on his desk at all times.

Alexandre Dumas used colour in his superstitious ideas. Fiction had to be written on blue paper, articles on pink paper, and poetry on yellow paper.

Friedrich Schiller had to have the smell of rotten apples around him if he was to get anything worthwhile down on paper. Therefore, to ensure he could always write, he kept rotten apples in his desk drawer. Every now and then he would open the drawer and inhale the scent, boosting his creativity (so he said).

Isabel Allende writes about magical realism. She always starts a new novel on 8th January.

 

More Common Superstitions

Of course, there are some more common superstitions that many writers believe in – or rather, don’t want to not believe in, just in case. This includes the idea of not having 13 pages in a chapter, or not only including 13 chapters in a book. This might be why some books don’t end when it feels that they should! Other writers don’t like to end a book (or chapter) on an even page. More don’t like odd pages.

Some writers only ever think of the title of a book once it is complete (J.K. Rowling does this), but for others, there must be a title before any work can be done (this is how I work, as it happens).

Using a specific notebook, pen, typewriter or computer are also common superstitions. Or wearing a certain piece of clothing that brings luck (or at least words).

Whether or not these superstitions actually work is the matter of some debate. Those who cling to them will insist that they do, whilst others who don’t understand will say that they don’t.

But either way, what harm does it do? The writer enjoys their work, safe in the knowledge that they have carried out all the checks and balances that need to be done for inspiration to strike and the words to flow. And the sceptics… well, they can simply enjoy the finished product, can’t they?

New Release: Cold Calling

It’s been a while since I had a new short story collection out. Short stories, however, are my favourite thing to write. There is something fun, fast, and a little bit frantic about trying to get a million ideas (or perhaps just one big idea) into a condensed form. I try to keep my short stories in the 3,000 to 6,000 word realm, but sometimes the story takes over a little bit and ends up much longer.

Of course, the opposite is true too. Sometimes a story is over and done with in 1,000 words. Sometimes fewer. It all depends. I don’t really like to work to word counts when it comes to fiction – although when blogging and writing features and articles, it’s an essential skill to have. Maybe that’s why I enjoy writing fiction so much; I get a chance to really let my imagination take flight, and I’m not restricted. It’s a good way of unwinding in the evenings after spending a whole day writing much more formal, much more corporate, much more SEO-based pieces.

Cold Calling

My latest collection, Cold Calling, consists of 19 chilling short stories that all have one thing in common; greed. Sometimes good, usually bad, greed is the essence of this collection and, some would say, of life.

The book is available on Amazon.co.uk (https://www.amazon.co.uk/Cold-Calling-Lisamarie-Lamb-x/dp/0244311811/) and Amazon.com (https://www.amazon.com/Cold-Calling-Lisamarie-Lamb-x/dp/0244311811/).

Let me know what you think!

What Do You Like To Drink? Iced Tea, Anyone?

Perfect for garden parties, long summer evenings and other staple events in the summer social calendar, Newby’s teas and tisanes preserve the fruits’ natural sugars and make a luxurious iced brew which can be drunk without added sweetener, making them the perfect iced-tea recipe.

From Newby’s popular Classic Tea Bag Collection comes a healthy, delicious and refreshing alternative for the discerning customer who wishes to avoid artificially-sugared summer drinks: Iced Summer Berries and Iced Green Lemon.

Summer Berries combines a rich berry taste with notes of hibiscus and vanilla. Green Lemon is light yellow-green, with a delicate citrus taste and a tangy finish.

Each luxury tea and tisane is presented in a Newby sachet, sealed the Newby way, a proprietary system which preserves the freshness and aroma of the tea, keeping it safe from adulterates.

Gwen Hustwit, General Manager Creative & Marketing at Newby Teas said:

“All you need to do to make our summer iced teas is brew, cool and add ice. Use one teabag per person, add boiling water, then brew for 3-5 minutes. Alternatively, for green tea, you can use our specially-developed recipe.”

“At Newby Teas, we are dedicated to reintroducing quality and uncompromising flavour to every one of our products. Our teas are fresh and full of flavour and character, and our tisanes retain the fruits’ natural sugars, offering the perfect sweet indulgence, which can be served sugar free without calories, making it the perfect summer refreshment.

“From weekend garden parties to warm summer nights, this year’s Newby iced teas are the ultimate luxury treat.”

Newby Teas Classic Tea Bag Collection was relaunched earlier this year with a series of unique designs created to celebrate craftsmanship. Newby Teas, is substantially owned by the N Sethia Foundation, which supports, among other good causes, the Chitra Sethia Centre for Robotics and Minimal Access Surgery at UCH, the Chitra Sethia Autism Centre in Cambridge.

Green Lemon and Summer Berries cost £5.50 per 25 bag packet and are available online at (www.newbyteas.co.uk)

Newby’s ‘Green Mojitea’ iced-tea recipe

Serves 4-6

4-6 Newby Green Lemon Tea Bags

3 Tablespoons of Sugar

600ml Sparkling Water

3 Unwaxed Lemons

 

In a large heat proof jug, brew 4-6 Newby Green Lemon tea bags using 400ml of water just below boiling (80°C). Steep for 3-5 minutes then remove tea bags. Stir in 3 tablespoons of sugar (adjust to taste) and allow the tea to cool before adding the juice of 2 lemons and 600ml of sparkling water. Serve with ice, and fresh lemon (fresh mint optional).

 

Newby’s ‘Strawberry MarTEAni’ recipe

Serves 4-6

6 x Newby Strawberry & Mango Black Tea

Juice of 2 unwaxed lemons

2-3 tablespoons of sugar (optional)

Fresh mint

Fresh strawberries

Fresh mango (optional)

In a large pitcher, brew the sachets in 400ml of boiling water and infuse for 4-5 minutes. Remove tea bags and stir in sugar (adjust to taste). Add 600 ml of cold water and the juice of 2 fresh lemons. Top up with plenty of ice, a handful of fresh mint and some fresh strawberries. Lovely served in martini glasses for a special occasion.

Are You Sabotaging Yourself?

There are many theories in this world that support the idea that what you think determines the outcome of your life. The mind is a marvellous, untapped resource that is potentially infinite in its influence over what you do and how things turn out. The Law of Attraction is just one of these theories, and it is a fascinating read.

Even if you don’t believe in how it works exactly, there is no doubt that having a positive outlook affects how you perceive things, and how you are perceived. So it is important to think positively whenever possible.

If things have been going badly with regards to your work or writing – or any other creative pursuit – then could it possibly be your thoughts and feeling about it all that is causing the problems? Could it be that you are sabotaging yourself? Let’s take a look at how you might be, without even realising that you are.

Making It A Competition

If you are constantly looking around you at what other people are doing, you’ll never be able to fully focus on what you are doing – and that can spell disaster for your current creative project. That is one of the best ways of sabotaging yourself. Comparing yourself to others can sometimes work in terms of allowing you to set yourself a goal, but doing it all the time is distracting, and can push you off course from that goal very easily.

It is always better to be looking ahead, towards your next goal, and ignore what other people are doing. Creativity is not a race. It’s not a competition. It is a personal journey. That may sound a bit ‘new age-y’ but think about it; it’s completely true.

 

Getting Angry

Allowing yourself to get angry about things is another excellent way of halting the creative process and sabotaging yourself. If something has irritated you – it could be anything, from a Facebook post by a fellow writer, artist, poet etc, to hearing about someone’s success in the same genre that you work in – the important question to ask is ‘why?’. Why are you angry about this? And what is that anger doing to harm your creative process (hint: it’s another way of sabotaging yourself)?

Is your anger about being envious? Is it that you have a particularly deep competitive streak? Does the news make you feel less secure about your place in the creative world?

Whatever it is, remember that your own thoughts are taking you on a journey, and if you want that journey to be a fulfilling and successful one, then you need to dispense with all the superfluous feelings of anger and just get on with working your way towards happiness. Another artist’s success will not diminish your own. There is no need to be envious as your time will come as long as you work towards it and acknowledge that fact.

 

Complaining All The Time

Complaining to yourself is a waste of time. Complaining to other people… well, that all depends on the complaint. A valid complaint should often be aired – in a well-thought out and calm kind of way. That is how things can done, that is how problems get solved. A general gripe about the state of things, about a tweet that you didn’t appreciate, about someone else’s success or writing ability… that’s usually less productive. Plus this kind of pointless complaining has a knock-on effect. Firstly, it takes up a lot of time when, you guessed it, you could be writing or painting or doing whatever it is that makes you feel complete.

Secondly, empty complaining puts you in a negative frame of mind. One small niggle and suddenly everything is less rosy. Unsure about that? Think of it the other way around – when you see something that makes you happy, or you get some good news, doesn’t your day iimmediately seem better? Brighter? Altogether happier? It’s true, and the same goes for negative things. Your day (if you let it) will go downhill. Don’t let it. Keep positive, and things will improve. That’s just how it works.

Short Story: Arrivals

She had been there for hours, holding that ragged cardboard sign torn from the top of a box, a jagged edge where it used to belong. Just standing there, waiting, leaning hard against the metal barrier outside the arrivals gate as though without it she might fall and if that happened she might not get up again.

I watched her. It broke up the monotony of my new job, serving coffee to harried, hurried people who simply did not want to be where they were, had better things to do than come and collect a loved one from the airport, or the ones who were stuck because of delays and were depressed because the only thing they wanted was to take their loved ones home. Whatever their story, it all came down to the same thing; misery. And I learned during that first day they liked to take that misery out on me.

So I watched the old lady instead, smiling and nodding and agreeing with the sad, mad people around me ordering lattes and cappuccinos and thinking that made them sophisticated, but not really paying them any attention.

She barely moved, and I was sure I could see her ankles swelling, actually feel them in her ever-tightening sandals, and I wished to God she would take a break and have a sit down, order a coffee, have a muffin. But she didn’t. She just stood there, swaying ever so slightly. I wondered, every now and then, whether she might not have nodded off, whether she might not have died and no one had noticed. But every time I began to worry another plane landed and another load of dishevelled, tired, glad to be home passengers streamed out of the big open doorway and into the arrivals hall. The old lady’s head would snap up, she’d hold her sign a little higher, she’d stand a little taller and wait for someone to recognise her. No one did. Not one person all day acknowledged her presence. Except me, I guess. But I wasn’t the one she was waiting for, was I?

When my interminable shift was finally over I bought a coffee from myself. It wasn’t for me, I couldn’t even bear the thought of the stuff after serving it up all day. It was for her. But before I could make my way over to her, my boss stopped me. “Where are you going with that?” he asked, nodding in the direction of the cardboard cup in my hands.

“It’s okay,” I said, “I paid for it.”

“That’s not what I asked,” he said, tapping the top of my cup with his forefinger. He waited for my answer, what I thought was a smirk appearing on his face that made me want to throw the bloody coffee all over him. I didn’t. I counted to ten (quickly, since he was waiting) and told him, “I was taking it to that woman. She’s been there all day, not eaten or drunk anything. I thought she might want it.”

The boss nodded, the smirk definitely there now. “I thought so. I knew you were a little bleeding heart the moment I saw you.” He laughed, once, loudly and strangely and slapped me on the shoulder so that a drop of coffee flew from the opening in the lid and landed on the floor between us.

I had no response to what he’d said. I had no idea whether he meant it good or bad. I guessed bad so I stared at the drop of coffee and thought about wiping it away but didn’t. The boss turned around, went back to the counter to finish cashing up; “She won’t take it, you know. We’ve all tried.”

“How do you mean?” I asked knowing full well that no one else from the coffee shop had been anywhere near her that day.

With a clattering of coins and a frustrated grimace, an air of someone who’d said the said words many times before, he told me. “It’s not just today. It’s not just you. Every day she turns up, holds that sign, waits for Christ knows who. Every single day. And she won’t take anything off you, even when it’s free. Sad, but there you go.” He shrugged, went back to his counting.

I didn’t think he really though it was sad. I got the feeling that he thought it was a bit funny – ha ha, not strange, although perhaps that too. And I thought I would give her the coffee anyway, partly for my own peace of mind, but partly to prove him wrong. Only when I looked back to where she was she was gone.

The next morning I arrived in a dismal mood. I’d spent the evening distracted, worrying about the old lady and getting nowhere with it and now I had to stand behind the counter all day worrying about her at work too. I hoped she wasn’t there. You have no idea how much I hoped that the boss had been winding me up. But she was and he wasn’t and it pained me to see her.

That was the day that I properly looked at her sign, faded and dog-eared and obviously very old. RICHARD – WELCOME HOME! – THE ANSWER’S YES! it said. Oh God, my heart just shattered for her, right there, and I almost wept into some stranger’s latte. And I raged at this Richard who had never come home, my anger so fierce that it scared me and I had to take a break, go outside to cool down. How dare he? How dare he not return to her? Someone that loyal, that much in love… I couldn’t stand it.

I had to do something. Something to help her.

But I couldn’t. In the end I helped myself and quit so I wouldn’t have to see her again. And just like that it was over. For me. But I have no doubt that she’s still waiting.

For Coffee Lovers On The Go…

It’s a well-known fact that writers enjoy a boost of caffeine every now and then – and coffee fits the bill perfectly.

If you thought standard black Americano was the closest you would ever get to your beloved espresso when on the move, then think again. Let us introduce to you the Minipresso Portable Espresso Maker from The Fowndry.

Providing freshly pressed, frothy topped espresso shots at your fingertips, from the office, to the countryside, to mountain ranges. You won’t want to leave the house without this must have gadget!

Full of cutting edge technology to create barista style shots, the Minpresso brews full-bodied coffee at 116 psi – the same pressure as traditional espresso machines.  All you have to do is pop off the top and bottom caps, add your ground coffee or capsule for the Minipresso Nespresso, add hot water, and pump into the espresso cup included. Once finished, the semi-automatic piston can be locked up and all the pieces cleverly fit back together to give you a single, light and versatile coffee maker that can be taken anywhere.

With the Minipresso’s stylish, compact design, the espresso maker easily fits in bags and pockets, so great coffee doesn’t come at a cost of lugging heavy equipment. Furthermore, due to the hand-pump feature, no electricity is required, meaning no worrying about charging or batteries whether you’re out in the wilderness or camping out at festivals.

So, for your favorite, freshly brewed, steaming hot espresso on the go, with next to no fuss, no cables, no batteries or barista, Minipresso has your back.

The Minipresso Portable Espresso Maker is available online for £47.99 from The Fowndry.

Why Do We Say That? Language And Its Origins

The origin of phrases can be absolutely fascinating. We use them on a daily basis, but not many of us ever stop to wonder why – why the words we say are part of our language, and what they really mean. Here are a few great examples of that – and their origins.

Don’t Throw The Baby Out With The Bath Water

Back in Victorian times, the practice for bathing was for the ‘man of the house’ to bathe first, then the wife, then the children in order of birth. Therefore, the baby would be last in the queue. By this time, so it is said, the water would be so dirty (people only tended to wash once a month) that it was entirely possible (apparently) to lose someone in it. Hence, when emptying the bathtub, the baby might be thrown out too!

 

Raining Cats & Dogs

When the majority of houses had thatched roofs, they were made by literally piling straw up – there was no wooden structure underneath. Now, due to straw being nice and warm, a lot of animals used to climb up and live in there, or at least sleep in there when it was chilly. But, when it rained the straw became slippery, and the larger animals (such as cats and dogs) would be washed right out. It would therefore be ‘raining cats and dogs’.

Bringing Home The Bacon/Chewing The Fat

If you were doing well in your profession, you might have been able to afford some bacon to go with your diet of (mainly) vegetables. If you could literally bring home the bacon, you would most likely hang it up to show it off hen guests came round. And because it was pretty expensive and a rarity to have it, it would be used sparingly. When friends came over for a chat, the fat would be cut off first, chopped into small pieces and handed out. You would ‘chew the fat’ with friends.

 

A Wake

Holding a wake for someone who has passed away has become something of a tradition, but it has a very practical origin. Whiskey and ale was served in pewter cups which contained lead, and this could have the effect of knocking someone out for two or more days. They might even be thought to be dead. But before arranging the burial, mourners would hold a wake – sitting around the ‘body’ with food and drink to keep watch in case the deceased woke up.

Dead Ringer/Saved By The Bell/Graveyard Shift

People were just not that great at knowing whether someone had actually died or were just pretty unwell. Premature burials were a definite thing. So rather than the trauma of worrying about burying someone alive, a bell would be attached to a piece of string, which would be attached in turn to the body. The bell would remain above ground, and, if the person in the coffin awoke, the bell would ring. They were known as ‘dead ringers’ who had been ‘saved by the bell’. And who would hear the bell ringing? It would be the person whose job it was to sit in the graveyard, on the graveyard shift, to listen out for it.

 

So there you have it; language is a fascinating thing. I wonder what phrases the people of the future will use that relate to us right now?

It’s Never Too Late To Start Writing

There is a feeling that steals over me sometimes that I’ve left it too late to be doing this. That I should have started writing earlier in life, a decade earlier, 15 years earlier… If I had, I wonder where I would be now?

And then I remember two things. The first is that I didn’t start writing earlier because I wasn’t ready to. If I had, my writing would not have been of the right standard, and I might have given up after a few rejections. Secondly, I’m not alone. Many writers had other careers first before moving on to new and exciting things.

That’s life.

So here are a few of them to illustrate my point. It’s quite an impressive list.

 

Frank McCourt

Author of the wonderful Angela’s Ashes, McCourt didn’t start writing until he was 65 years old. On top of that, he left school at 13 due to his family’s poverty; he had to start work.

 

EL James

No matter whether you love or hate the Fifty Shades series of books, no one can deny what a phenomenon they became, spawning movies and many copycat versions. EL James was 44 when she began to write these books which began simply as fan fiction.

 

Mario Puzo

Mario Puzo, the father of The Godfather was 33 when he began writing. Whilst that’s not ancient by any means, it is still a lot later than many famous authors – Stephen King was just 12, for example, and F. Scott Fitzgerald was 23.

 

Scott Palahniuk

The Fight Club author was another of the 33 year old club, picking up the pen to write down his incredible stories in his fourth decade of life.

 

Charles Bukowski

Although Bukowski wrote for most of his life, he didn’t get his big break until he was 49 when he submitted Post Office to a publisher. It was published two years later, and at 51 Bukowski’s life changed forever.

 

Donald Ray Pollock

Donald Ray Pollock had a variety of different jobs in his life, but writer came relatively late. He published a collection of short stories when he was 55, and when he was 58 his debut novel, award-winning The Devil Of All Time, came out.

 

Helen DeWitt

Helen DeWitt spent most of her life in academia until she almost had a breakdown and realised she just couldn’t face it anymore. With 100 different novels in fragments around her home, she took some time off just to write – with no interruptions. She would, she said, ‘write until the money ran out’. At the end of that time, she had her impressive novel, The Last Samurai written. She was 44 years old.

 

So there you have it. Many of the writers who are now household names didn’t start writing until they were 30, 40, 50, even 60. And even if they had been writing for longer, being published took the time. So I can relax and enjoy what I’m doing – just write and the rest will follow.

 

Missed out on a place in this weekend’s London Marathon? Book now to take part in the ‘London Marathon Walk’ instead!

The 26.2-mile London Marathon Walk, with challenge specialist Discover Adventure, is a special one-day event taking place on 23 September – and provides the perfect chance to tackle your very own marathon event.

Taking in famous landmarks and lesser-known corners of the historic capital, this entertaining walk will be Cockney-themed and there will be the chance to learn some fun rhyming slang along the way. The route includes the church of St-Mary-le-Bow, centre of London’s Cockney heritage, so pull on your ‘daisy roots’ for a fantastic ‘ball of chalk’ this September!

There will lots of fun-filled elements to provide added entertainment throughout the day, including lively music along the route and a draw with amazing prizes from Cotswold Outdoor.

The perfect opportunity to fundraise for a charity of your choice, or simply to enjoy a wonderful day in the capital city, this is an event not to be missed.

This one-day challenge, usually priced at £75 pp, has a special offer price of just £50 pp until 26 April to celebrate ‘Marathon Month’. The price includes a hot drink and breakfast bap at the start of the walk. There is also the choice of a ‘Half Marathon’ (13-mile) route.

For further information, contact Discover Adventure on 01722 718444, or visit www.discoveradventure.com

 

Why Fairy Stories Are Good For Children

We all like some things that aren’t good for us, especially when we’re children. Children love to do slightly naughty things, they love to eat all the chocolate, they love to stay up late… In fact, we all like to do things that aren’t particularly good for us when we’re adults too – we still like to do slightly naughty things, still like to eat all the chocolate, still like to stay up late (although we regret it in the morning)…

So if things we like tend to equal things that are bad for us, where do we stand with fairy stories? Children adore them; give them a prince, a princess, some talking animals, and a happily ever after and they’re over the moon. And adults have a soft spot for them; they are a reminder of our childhoods.

Which would mean that they are bad for us – that they are bad for our children.

The funny thing is… they’re not. Not in the least. In fact, that are good for children in a number of specific ways.

Imagination

There is nothing quite like the imagination of a child. Even the most imaginative of adults can’t come close to the weird and wonderful minds of prepubescent kids, and being able to make up stories and games is an essential life skill. It can go so far as to define the kind of career they have in the future. So listening to fairy stories, and going on later to read them, can play a big part in the lives of children and the adults they grow up to become.

Morals

Parents do their best. They give children a moral compass and information about right and wrong, but it is the fairy stories that cement it in the little ones’ minds. Fairy stories have a strong moral message – good versus evil, good wins out and so on – that it is easy for children to remember. That coupled with the knowledge they have already been given by mum and dad means that children are going out into the world with a good moral sense behind them.

Critical Thinking

It may sound surprising, but fairy tales can help children with their critical thinking. They can see the consequences of any actions or decisions that may be taken in these stories. They know that the choices they make can have serious implications, so it is best if they stop to think before acting (or reacting) in haste.

Emotional Health

We often hear in the news that younger and younger children are having mental health issues. We’re not saying that fairy stories can prevent this, but they can perhaps allow children to have a good idea of how to deal with internal conflict – something that can cause mental stress. Children identify with the main character in a fairy story, and those characters tend to win out in the end, even if they are going through hardship. They do it with the help of those around them, whom they have confided in. It’s a good lesson and one that children can easily apply to their own lives.

Just Because…

Children are children for such a small amount of time. They will have enough time to be sensible and grown up. They will have enough time for worries and life to take over. So when they are little, they need to have fun. It will give them a good base for the rest of their lives, and with strong foundation they are sure to grow up to be good people. So even if for no other reason than children love them and they are fun, they should be read fairy stories.