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October is National Home Security Awareness Month

With October seeing the return of National Home Security Month, Don Shulsinger from Blinkforhome,  the video home security and monitoring system, gives tips and advice for keeping your family, home, and possessions safe.

Leave exterior lights on all night and when you’re out

When there are bright lights around a home’s exterior, burglars are less likely to target it. Schedule lights to come on at set times if you are away or on holiday. 

Lock doors when you’re home alone

It’s not unusual for a burglary to occur while there’s someone in the house. It’s just as important to keep your doors locked when you’re at home so no one can break in. The most common time to be burgled is between 10:00am and 3:00 pm when thieves think people will most likely be out at work.

Don’t open the door to a stranger

Even if they say they’re from the council, the water board or the police you should be cautious about opening the door. A good idea is a peephole in the front door so you can screen visitors before opening the door.

Be smart about social media

Resist the urge to tweet or post that you’re on holiday or out at a concert or party and that your home is empty. Don’t give people insight into your goings-on.  It’s best to update afterwards. 

Get a dog or gravel

A dog can help you feel more secure and scare off intruders. A “beware of the dog” sign may help too. If you have a front garden or a car parking space, it’s worth thinking of putting gravel down as the noise can deter an intruder, or alert your dog if you have one.

Securely hide spare keys

Doormats, flowerpots and fake rocks are not fooling anyone who’s determined enough to break in. Hide them securely or keep them with a friend, neighbour or family member.

Install smart home technology

A good idea is to install a home security camera. There are many devices available that are motion activated and will record people entering your home, such as Blink. Ideal for alerting you to a break-in, and recording an incident if all other measures fail! Blink lets you keep a watchful eye on your home via your smartphone. It’s stylish, easy to install, wireless, and uses innovative HD video technology to let you know what’s going on when you are not there. www.blinkforhome.co.uk

What Do You Like To Drink? Iced Tea, Anyone?

Perfect for garden parties, long summer evenings and other staple events in the summer social calendar, Newby’s teas and tisanes preserve the fruits’ natural sugars and make a luxurious iced brew which can be drunk without added sweetener, making them the perfect iced-tea recipe.

From Newby’s popular Classic Tea Bag Collection comes a healthy, delicious and refreshing alternative for the discerning customer who wishes to avoid artificially-sugared summer drinks: Iced Summer Berries and Iced Green Lemon.

Summer Berries combines a rich berry taste with notes of hibiscus and vanilla. Green Lemon is light yellow-green, with a delicate citrus taste and a tangy finish.

Each luxury tea and tisane is presented in a Newby sachet, sealed the Newby way, a proprietary system which preserves the freshness and aroma of the tea, keeping it safe from adulterates.

Gwen Hustwit, General Manager Creative & Marketing at Newby Teas said:

“All you need to do to make our summer iced teas is brew, cool and add ice. Use one teabag per person, add boiling water, then brew for 3-5 minutes. Alternatively, for green tea, you can use our specially-developed recipe.”

“At Newby Teas, we are dedicated to reintroducing quality and uncompromising flavour to every one of our products. Our teas are fresh and full of flavour and character, and our tisanes retain the fruits’ natural sugars, offering the perfect sweet indulgence, which can be served sugar free without calories, making it the perfect summer refreshment.

“From weekend garden parties to warm summer nights, this year’s Newby iced teas are the ultimate luxury treat.”

Newby Teas Classic Tea Bag Collection was relaunched earlier this year with a series of unique designs created to celebrate craftsmanship. Newby Teas, is substantially owned by the N Sethia Foundation, which supports, among other good causes, the Chitra Sethia Centre for Robotics and Minimal Access Surgery at UCH, the Chitra Sethia Autism Centre in Cambridge.

Green Lemon and Summer Berries cost £5.50 per 25 bag packet and are available online at (www.newbyteas.co.uk)

Newby’s ‘Green Mojitea’ iced-tea recipe

Serves 4-6

4-6 Newby Green Lemon Tea Bags

3 Tablespoons of Sugar

600ml Sparkling Water

3 Unwaxed Lemons

 

In a large heat proof jug, brew 4-6 Newby Green Lemon tea bags using 400ml of water just below boiling (80°C). Steep for 3-5 minutes then remove tea bags. Stir in 3 tablespoons of sugar (adjust to taste) and allow the tea to cool before adding the juice of 2 lemons and 600ml of sparkling water. Serve with ice, and fresh lemon (fresh mint optional).

 

Newby’s ‘Strawberry MarTEAni’ recipe

Serves 4-6

6 x Newby Strawberry & Mango Black Tea

Juice of 2 unwaxed lemons

2-3 tablespoons of sugar (optional)

Fresh mint

Fresh strawberries

Fresh mango (optional)

In a large pitcher, brew the sachets in 400ml of boiling water and infuse for 4-5 minutes. Remove tea bags and stir in sugar (adjust to taste). Add 600 ml of cold water and the juice of 2 fresh lemons. Top up with plenty of ice, a handful of fresh mint and some fresh strawberries. Lovely served in martini glasses for a special occasion.

For Coffee Lovers On The Go…

It’s a well-known fact that writers enjoy a boost of caffeine every now and then – and coffee fits the bill perfectly.

If you thought standard black Americano was the closest you would ever get to your beloved espresso when on the move, then think again. Let us introduce to you the Minipresso Portable Espresso Maker from The Fowndry.

Providing freshly pressed, frothy topped espresso shots at your fingertips, from the office, to the countryside, to mountain ranges. You won’t want to leave the house without this must have gadget!

Full of cutting edge technology to create barista style shots, the Minpresso brews full-bodied coffee at 116 psi – the same pressure as traditional espresso machines.  All you have to do is pop off the top and bottom caps, add your ground coffee or capsule for the Minipresso Nespresso, add hot water, and pump into the espresso cup included. Once finished, the semi-automatic piston can be locked up and all the pieces cleverly fit back together to give you a single, light and versatile coffee maker that can be taken anywhere.

With the Minipresso’s stylish, compact design, the espresso maker easily fits in bags and pockets, so great coffee doesn’t come at a cost of lugging heavy equipment. Furthermore, due to the hand-pump feature, no electricity is required, meaning no worrying about charging or batteries whether you’re out in the wilderness or camping out at festivals.

So, for your favorite, freshly brewed, steaming hot espresso on the go, with next to no fuss, no cables, no batteries or barista, Minipresso has your back.

The Minipresso Portable Espresso Maker is available online for £47.99 from The Fowndry.

The Year of Literary Heroes

VisitEngland has declared 2017 as the “Year of Literary Heroes” – recognising the 200th anniversary of Jane Austen’s death, 20 years since the first Harry Potter book, and other publishing phenomena that have helped put England on the map.

With Britain’s extensive network of navigable inland waterways transporting canal boat holiday-makers through rural idylls, with wooded glades, sweeping farmland and sleepy villages – to exciting waterside towns and cities with connections to some of our greatest Literary Heroes, Drifters Waterway Holidays (www.drifters.co.uk) has put together its Top 5 Literary destinations for 2017:

  1. Explore Ted Hughes’ Calderdale by canal – on a short break (three or four nights) from Drifters’ base at Sowerby Bridge, narrowboat holiday-makers can travel along the Rochdale Canal to Todmorden and back, exploring the beautiful Calder Valley and passing through Mytholmroyd, where Ted Hughes played as a child, and Hebden Bridge, where Sylvia Path is buried. The journey there and back travels 20 miles of waterway, passing through 34 locks, and takes around 16 hours. ***2017 short break (three or four nights) prices from Sowerby Bridge start at £415 for a boat for two people.  Prices include damage waiver, pre-holiday information, comprehensive instruction, fuel, gas, parking, buoyancy aids and bed linen.
  1. Find out about Jane Austen in Georgian Bath – on a short break from Drifters’ canal boat hire base at Bradford on Avon in Wiltshire, it’s a delightful six-hour journey along the picturesque Kennet & Avon Canal to Bath Top Lock and back. Here canal boat holiday-makers can moor-up and walk 15 minutes to Bath City centre, where they can visit the Jane Austen Centre to find out about the writer and the City that inspired ‘Northanger Abbey’ and ‘Persuasion’, and enjoy a truly elegant afternoon tea at the Regency Tea Rooms.  ****2017 short break (three or four nights) prices from Bradford on Avon start at £580 for a boat for four people, weekly hire from £835. Price includes boat hire, cancellation protection, gas, car parking, tuition on arrival, buoyancy aids, bed linen, towels and first pet.  A fuel deposit of £50 is taken for short breaks, £90 for a week.  Actual cost is around £10-15 per day.  Second pet is £25 for a short break, £35 for a week.
  1. Mark the 150th anniversary of Arnold Bennett’s birth with cruise through the Potteries – from Drifters’ base at Great Haywood on the Trent & Mersey Canal in Staffordshire, it takes around 10 hours, travelling through 18 locks to reach Stoke-on-Trent, where events and exhibitions are being staged throughout the year to mark the 150th anniversary of the birth of Enoch Arnold Bennett. A prolific writer with close ties to the Potteries, Bennett’s novels include ‘Anna of the Five Towns’, which told the social and industrial history of the local people.  On a week’s holiday, boaters can continue on from Stoke to complete the Four Counties Ring, which passes through Cheshire, Shropshire, Staffordshire and the West Midlands, travelling a further 90 miles, through 76 more locks, and cruising for another 45 hours. ****2017 short break (three or four nights) prices from Great Haywood start at £470 for a boat for four people, weekly hire from £670. Price includes boat hire, cancellation protection, gas, car parking, tuition on arrival, buoyancy aids, bed linen, towels and first pet.  A fuel deposit of £50 is taken for short breaks, £90 for a week.  Actual cost is around £10-15 per day.  Second pet is £25 for a short break, £35 for a week.
  1. Celebrate 80 years of The Hobbit with a journey through Tolkien country – Published in 1937 to wide critical acclaim, the popularity of JRR Tolkien’s ‘The Hobbit’ endures. Tolkien spent much of his childhood exploring the village of Sarehole (now Hall Green), Moseley Bog, the Malvern Hills, and nearby Bromsgrove, Alcester and Alvechurch.  From Drifters’ base on the Worcester & Birmingham Canal at Alvechurch, narrowboat holiday-makers can travel through some of the landscapes that inspired Tolkien’s masterpiece.  On a short break, travel along beautiful tree-lined waters to the village of Lapworth and back, perfect for canal boat holiday beginners.  On a week’s holiday, more experienced boaters can tackle the Stourport Ring, travelling 74 miles through 118 locks in around 45 hours.  To celebrate 80 years since the book’s publication, Drifters will gift a copy of The Hobbit to customers quoting “Tolkien” when booking a boat departing from Alvechurch in 2017.  Please note this offer won’t be applied retrospectively.   ****2017 short break (three or four nights) hire prices from Alvechurch starts at £619 for a boat for four people, £799 for a week.  Price includes bedding, towels, collision damage waiver, first pet, car parking, tuition and buoyancy aids. Fuel is extra – a £50 fuel deposit is taken for short breaks, £90 for a week, £140 for 10/11 nights and £180 for two weeks.
  1. Unearth infamous pirate lairs in Bristol – from Drifters’ canal boat hire base on the Kennet & Avon Canal at Hilperton near Trowbridge, Bristol’s Floating Harbour is a two-day cruise away, travelling 30 miles along the Kennet & Avon Canal and the Bristol Avon, passing through Bradford on Avon and the City of Bath. Once there, canal boat holiday-makers can moor-up and take time to discover Bristol’s exciting maritime history with a guided Pirate Walk, encountering Long John Silver’s treasure chest in the smuggler’s cave, Treasure Ireland’s Spy Glass Inn and Pirate Captain Blackbeard’s lair.  ****2017 short break (three or four nights) hire prices from Hilperton start at £619 for a boat for four people, £799 for a week.  Price includes bedding, towels, collision damage waiver, first pet, car parking, tuition and buoyancy aids. Fuel is extra – a £50 fuel deposit is taken for short breaks, £90 for a week, £140 for 10/11 nights and £180 for two weeks.

Drifters Waterway Holidays offers over 580 narrowboats for hire from 45 locations across England, Scotland and Wales.  2017 hire prices start at £395 for a short break (three or four nights) on a boat for four, £575 for a week and many boats currently have early booking discounts.

For more information about Drifters boating holidays call 0844 984 0322 or visit www.drifters.co.uk.

For more literary inspiration go to www.visitengland.com/literature For information about visiting the canal network go to www.canalrivertrust.org.uk

Titles announced for City Reads and Young City Reads 2017 as part of Brighton Festival

The debut novel by Sharon Duggal The Handsworth Times has been chosen for City Reads while A.F. Harrold’s Fizzlebert Stump The Boy Who Ran Away from the Circus (and Joined the Library) has been picked for Young City Reads as part of Brighton Festival 2017.

City Reads and Young City Reads are city-wide ‘big reads’ delivered by award winning literary organisation Collected Works CIC, designed to spread a love of books and ideas to the widest possible audience throughout Brighton & Hove. This year they launch on 2 March (World Book Day) and run until 14 May with a series of events themed around the books to encourage people across the city to get reading and start talking.

Brighton-based British Asian writer Sharon Duggal’s novel, published by Bluemoose Books, is set in 1981 where factories are closing, unemployment is high, the NF are marching and the neglected inner cities are ablaze as riots breakout across Thatcher’s fractured Britain. The Agarwal family are facing their own personal tragedy, but their pain is eased through humour, friendship and community.

The title chosen for Young City Reads, the ‘big read’ aimed at children, Fizzlebert Stump, is the story of a boy, a book, some very bad people, some very brave deeds, and the importance of rubber teeth for lions.

Andrew Comben, Chief Executive Brighton Dome & Brighton Festival says: ‘We are delighted that City Reads and Young City Reads are part of Brighton Festival again this year – building on our strong relationship with Collected Works through other partnership projects such as Young City Reads and Adopt an Author. The importance of empathy and community is central to our Guest Director Kate Tempest’s vision for the Festival as a whole, making Sharon Duggal’s powerful debut particularly fitting as a choice for City Reads. And with this year’s Guest Director our youngest in the role to date we are particularly pleased to be providing an opportunity to encourage young booklovers to come together to discuss and share their love of reading – and hopefully nurturing a new generation of artists and art lovers for the future.’

Sharon Duggal (002)

Sharon Duggal, City Reads author says: ‘What an absolute honour to have my novel, The Handsworth Times chosen for City Reads 2017. It is quite a special thing to know that people from all walks of life across the city where I live and work will be coming together to read my book, just as I have done with many previous City Reads selections. The Handsworth Times is ultimately a book about the hope we find in other people and it will be such a pleasure to have the opportunity to get out there and share the story with so many different people across this city via the inspired City Reads programme of events. 

AF Harrold (002)

AF Harrold, Young City Reads author says, ‘Young City Reads is a fantastic initiative and it’s great to hear Fizzlebert’s been picked this year. Hopefully it’ll put a smile on some faces and an embarrassing snort of laughter in the back of the room every now and then when you’re supposed to be getting on with more serious things’. 

Highlights of City Reads include a Literary Salon at the Regency Townhouse (Wed 29 March), a riotous celebration of the music made during era of The Handsworth Times via a Stick It On Party at The Latest Music Bar (Fri 28 April), perennial favourite The City Reads Book Quiz returns on Wed 22 March, and Sharon Duggal is in conversation at Brighton Festival on 14 May. Young City Reads launches at Jubilee Library on 2 March, with a special Brighton Festival event on 23 May featuring the author and illustrator (Sarah Horne).

Primary school teachers and classes are being invited to register online (for free) at cityreads.co.uk and agree to read Fizzlebert Stump The Boy Who Ran Away from the Circus (and Joined the Library) together in class between 2 March – 23 May 2017. Throughout the project, participating classes will receive free weekly e-bulletins which will include bite-size Fizzlebert Stump quizzes, puzzles and fun activities to complete.

Paul McVeigh’s The Good Son was chosen for City Reads 2016 while Hamish and the WorldStoppers by Danny Wallace was the title for Young City Reads 2016.

For more information visit cityreads.co.uk.

Brighton Festival will take place from 6-28 May 2017.

Sweet Oblivion – Interview with Debut Novelist Rhiana Ramsey

Murder, intrigue, and sex combined with a shocking conclusive twist – Sweet Oblivion is the tense debut novel of Sussex writer and serving police detective, Rhiana Ramsey (pseudonym).

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What genre would you classify Sweet Oblivion as?

I’d describe it as a dark crime thriller thread with eroticism.

Tell us about your book – why this story and the focus on S&M?

The story follows DC Elizabeth Lane and her colleagues as they hunt down the killer of the chilling emasculating murders that keep happening around town.

With my history serving as a police detective I’ve always been fascinated by the psychological angle of a killer. I wanted my character to hold true power over men and a dominatrix character was the perfect way to convey this, while weaving in some elements of S&M. With the release of 50 Shades of Grey this area of eroticism has become more mainstream and a subject people are interested in reading about.

What was your reason for setting the novel in London?

I worked in London for many years and know the area very well. My knowledge and background of the city made it easy to visualise my settings and scenes.

This is your first completed novel. What gave you the courage to write the book and what inspires you to write?

When I first started writing my book I was a single woman, completing my psychology degree whilst working full time in the Criminal Investigation Department and yet I was felt something was missing. I needed an outlet. I find writing therapeutic and an opportunity to take a step back from the real world.

When I first put pen to paper so to speak to write Sweet Oblivion I had no idea where it was going, but I got the bug and began to create storyboards and backgrounds for all my characters.

Throughout my life I’ve suffered with depression. When I was younger I used to write music, I still do on occasion, but these days I prefer creative writing as, it provides me with the perfect opportunity to escape and have complete control of a story – the situation, characters and outcome etc.

I suppose I actually wrote my first book when I was 12. It was called ‘Ravenscroft’ and was based upon a satanic crow that encouraged a pack of wolves to kill for him – needless to say it wasn’t published but I’ve obviously always seemed to have a passion for the macabre from a young age. My policing experience in my adult life has helped to re-ignite my imagination and it’s this that has ultimately led to the creation of Sweet Oblivion.

How long did the book take to write?

The book actually took nearly three years to complete from conception to publication however the bulk of the writing was completed in two months when I decided to take time off work.

What made you finally sit down and complete your book?

Work was tough, I’d been in court as a victim after dealing with a bad relationship and I lost my father all in a matter of months. Everything happened at once and I needed time out. I took two months off from the CID and that gave me the time to complete my manuscript.

At what point did you know you were ready to publish?

As soon as I’d finished writing the first draft I knew I was completely happy with the story. However, I spent about six months editing and tweaking little snippets before I finally submitted the manuscript to the printers.

What made you decide to self-publish and do you think this was a positive or negative experience?

It was a very positive experience! I decided to self-publish after speaking with a couple of agents who only seemed to show interest in you if you could prove you had a following already and were ultimately going to make them money. Being a self-published author means you have more control over what happens and if you have the time to promote it properly, it can be a very successful and enjoyable experience.

What would your advice be to anyone hoping to self-publish?

Unfortunately, as with most ventures, you need to have a little bit of money behind you to get started. Most people these days don’t actually print, they self-publish online. Whilst printing can often be expensive (and you should pay a little more for a good quality printer), it’s the most amazing feeling when your book turns up in the post.

What are you reading at the moment?

I’m currently in the middle of reading Kane and Abel by Jeffrey Archer who’s one of my all-time favourite authors. Once I’ve finished that I’ll dive straight into the seventh Clifton Chronicles novel – This Was a Man – I’ve been waiting with baited breath for it to come out.

In this day and age, do you prefer e-readers or a hard copy book?

An e-reader will never outsell a classic hard copy in my opinion. I love the feeling of actually reading a printed story and holding the book in my hands.

With the release of your first novel, what are your ambitions for your writing career?

I know it’s very clichéd but I would love to become a full time successful author. I dream of being able to live off my completed novels and write books from anywhere in the world.

If Sweet Oblivion was made into a film, which celebrities would you love to cast as your characters?

That’s a tricky one. For my main character, Louise, the actor would need to be intelligent, attractive and have an athletic build, perhaps someone like Mila Kunis who often plays relatable characters. I would love for Sandra Bullock to play Elizabeth as she is seen as a strong, attractive and savvy woman just like my character.

Now you’ve written your first novel, could there perhaps be a second in the pipeline?

I am in the early stages of writing another novel, which will also involve Elizabeth, but that is all I can say for now!

 

Woman Jailed for Writing Short Story

That’s a terrifying headline. And when we delve deeper into the story, we discover that not only is it true – the woman really was jailed for six years for writing a short story – but that the story was, in fact, unpublished.

The term ‘thought police’ springs immediately to mind.

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This has happened in Iran, and the story concerns the practice of stoning, a form of Iranian execution, most usually used on those who commit adultery. The writer is called Golrokh Ebrahimi Iraee, and she is, amongst other things, a human rights activist. The story is about a young Iranian woman who sees a film entitled The Stoning of Soraya M (made in 2008, this film is based on a true story). The story’s character becomes enraged about what she has seen; so much so that she burns a copy of the Quran.

book

When the story was found, the charges levelled against Iraee included ‘insulting Islamic sanctities’ and ‘spreading propaganda against the system’. It sounds more and more like Orwell’s 1984 than ever – Big Brother was, indeed, watching. Not only this, but her husband, Arash Sadeghi, has been sentenced to 15 years on the same propaganda charge as well as ‘gathering and colluding against national security’. He has, reports say, been tortured in prison.

Although the full facts are, perhaps, not known to us, the idea that someone could be imprisoned – and, ironically, potentially executed – for using their imagination is a worrying one. The story was not even published, and was found during a raid of Iraee’s home.

Words are indeed powerful.

The Sinister Left – A Left Hander’s Thoughts

Trapezoid_bone_(left_hand)_01_palmar_view

Recently there was a news story about an Oklahoma teacher who ‘forced’ a 4 year old boy to write with his right hand rather than his left. Investigations are ongoing, but it seems as though the teacher was concerned about associations with left handedness and unlucky or wicked behaviour.

Whilst this may sound strange today, it wasn’t so very long ago that making left handers write with their non-dominant hands was usual in schools. But why was (and, as it now appears, is) being left handed such a problem?

Throughout history, the left side of the body was considered to be a negative influence. In fact, the Latin word ‘sinistra’ meant both ‘left’ and ‘evil’ or ‘unlucky’, so the idea was well ingrained in society. Today, ‘sinistra’ has become ‘sinister’, so the wicked connotations remain. This, along with the idea that the word ‘right’ also means ‘correct’ and ‘proper’, reinforces the belief that anything on the left side had to be influenced by evil in some way.

Superstition has us throwing salt over our left shoulder when we spill it. Why? To blind the devil that sits there. A devil on the left shoulder is counterbalanced by an angel on the right, so turning to the left, using the left side of the body, working with the left in anyway is seen as working or using the devil. Bad stuff indeed. Whereas using the right side of the body is seen as working with the angels, which, of course, is seen as a much better option.

There are always studies going on to discover why some people are left handed and others (the majority of society) are right handed, but as yet there is no conclusive evidence for anything. Maybe one day we will understand, or maybe – as I believe is most likely the case – there is no reason. It just is.

I’m a left hander, and so is my daughter. So far so good for both of us – we’ve not yet met the devil. But I suppose I’ll keep throwing the salt just to make sure…

Award-Winning Journalist Gives Prize Money to Charity

Moira Kerr is something quite special, not only in terms of her writing, but in terms of her humanity as well. The freelance journalist who hails from Oban won both the feature writer of the year award (this was thanks to three articles written for the Daily Record) and journalist of the year award for her diverse portfolio of articles, news reports, and features at the Highlands and Islands Media Awards.

Oban RNLI received a donation
Oban RNLI received a donation

Moira said that she appreciated the awards, and was excited to receive them – but that it was all down to her contacts, kept in her Smartphone, who kept her up to date with everything that was happening all across the Highlands and Islands. She called these contacts her ‘phone-a-friends’, which caused a laugh, but which is also absolutely true!In her spare time, Moira is a volunteer fundraising secretary for the Oban RNLI Lifeboat, and so she decided to donate the majority of her £500 prize money to that cause which is clearly so dear to her heart. She gave away £300, and it went towards buying the volunteers at the Lifeboat some Wellington boots which, they say, were much needed and very happily and gratefully received.

If you need any freelance articles, news stories, or blogging done, please contact me; I’m happy to help.

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Have you ever wanted to write a novel, memoir or short story but don’t have the time? Do you have the ideas, but the words don’t flow? I can help. Contact me for a confidential chat.

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I started writing in my late teens but it was only with the birth of my daughter that I decided to write more seriously, with the aim of publication. Since that decision in 2010, I have had over 40 short stories published in anthologies and magazines.

Find out more about my publications on my Amazon Author Page.

I am the features and online editor for insideKENT and insideSUSSEX magazines.

I am also a freelance writer who has ghost-written hundreds of blog posts, articles, reviews, fiction, and more.

I live with my husband, daughter, and a cat called Cheryl in the Kent countryside next door to a field full of horses.

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Writing: It’s Never Too Late

There is a feeling that steals over me sometimes that I’ve left it too late to be doing this. That I should have started writing earlier in life, a decade earlier, 15 years earlier… If I had, I wonder where I would be now?

And then I remember two things. The first is that I didn’t start writing earlier because I wasn’t ready to. If I had, my writing would not have been of the right standard, and I might have given up after a few rejections. Secondly, I’m not alone. Many writers had other careers first before moving on to new and exciting things.

That’s life.

So here are a few of them to illustrate my point. It’s quite an impressive list.

 

Frank McCourt

Author of the wonderful Angela’s Ashes, McCourt didn’t start writing until he was 65 years old. On top of that, he left school at 13 due to his family’s poverty; he had to start work.

 

EL James

No matter whether you love or hate the Fifty Shades series of books, no one can deny what a phenomenon they became, spawning movies and many copycat versions. EL James was 44 when she began to write these books which began simply as fan fiction.

 

Mario Puzo

Mario Puzo, the father of The Godfather was 33 when he began writing. Whilst that’s not ancient by any means, it is still a lot later than many famous authors – Stephen King was just 12, for example, and F. Scott Fitzgerald was 23.

 

Chuck Palahniuk

The Fight Club author was another of the 33 year old club, picking up the pen to write down his incredible stories in his fourth decade of life.

 

Charles Bukowski

writing

Although Bukowski wrote for most of his life, he didn’t get his big break until he was 49 when he submitted Post Office to a publisher. It was published two years later, and at 51 Bukowski’s life changed forever.

 

Donald Ray Pollock

writing

Donald Ray Pollock had a variety of different jobs in his life, but writer came relatively late. He published a collection of short stories when he was 55, and when he was 58 his debut novel, award-winning The Devil Of All Time, came out.

 

Helen DeWitt

Writing Helen de Witt

Helen DeWitt spent most of her life in academia until she almost had a breakdown and realised she just couldn’t face it anymore. With 100 different novels in fragments around her home, she took some time off just to write – with no interruptions. She would, she said, ‘write until the money ran out’. At the end of that time, she had her impressive novel, The Last Samurai written. She was 44 years old.

 

So there you have it. Many of the writers who are now household names didn’t start writing until they were 30, 40, 50, even 60. And even if they had been writing for longer, being published took the time. So I can relax and enjoy what I’m doing – just write and the rest will follow.

Beating Those Back To Work Blues

It doesn’t matter whether you hate your job with a passion, or whether you have the best career in the world, that feeling of going back to work after a little time off still fills us with dread. It’s back to reality. It’s back to the daily routine. No more home time, no more holiday, no more freedom. The grindstone is waiting, and your nose has to be put right back on it.

Ouch.

No wonder we all get a little sad about the prospect of heading back to the office.

But guess what? There are ways to combat this terrible feeling and get straight back into the swing of things without too much distress…

back to work blues

 

Why Are You Feeling Like This?

That’s an important question. Ask yourself why you are feeling so down about going back to work, and you might get a surprising answer, but one that will help you make some decisions, and help you feel happier about things too.

It could just be that you’ve enjoyed your time off and the idea of having to go back to the office (or wherever) and get your brain in gear doesn’t appeal. And that’s perfectly normal. But a few hours – or even minutes – into your first day, and for the majority of people that’s all forgotten and you’ll wonder what you were worried about in the first place.

For some, however, it’s a deeper problem than simply enjoying a bit of freedom. Could there be something about your job (perhaps even the job itself) that you dislike enough to make you not want to go back at all? If this is more than just a form of the Sunday evening fear, it’s time to take stock. If you’re not enjoying your job, you might consider moving on. If not immediately, then at some point, once you’ve done all the sums and weighed up the pros and cons of it all. There is no point in going to work for eight (ish) hours a day if it’s not something you like. There are many forms of deathbed regrets, and working too hard in the wrong place ranks right up there at the top.

You might even consider starting your own business.

If it is one aspect of the job that is making you miserable, why not speak to your boss? They might be able to help, and it could turn out that it wasn’t such an issue after all once it’s out in the open.

 

Have You Made A Work Plan?

If the feeling of dread doesn’t dissipate after a little while, if it’s there every morning and you’re coming home more downhearted every day, you know what you need to do. Finding a new job isn’t something that can necessarily happen overnight, especially when you’ve got commitments and a family to provide for. So make a plan. Give yourself a time frame to get it completed by (three months is a good one – just long enough to feel comfortable, but short enough that you have to get on straight away). Create targets to meet along the way such as applying for a certain number of jobs each week, or tidying up your CV by a specific date. You might even want to invest in some evening classes to top up your skills.

back to work blues

 

Me, Me, Me

If your job isn’t the problem and you’re happy doing what you do, where you do it, and the people with whom you work, then it could be a problem within yourself. If you’re not feeling 100 percent, book an appointment with your GP and chat to them about what ails you. It could be a physical problem (lack of sleep, a weight issue, general aches and pains), or it could be a psychological one (anxiety, stress, depression, for example). Either way, it’s good to discuss these matters and hopefully do something about them once and for all. As soon as you fix your body and mind, everything else will fall into place.

back to work blues

And for those who are simply feeling a little run down, you need to schedule some me time. Book a fancy spa day, go for a long walk on your own, read a good book, watch a terrible movie, it doesn’t matter as long as you can relax and zone out for a while. When you come back down to the real world you’ll hopefully be feeling a whole lot better for it.

How To Write A Cover Letter

When you apply for a job, no matter what it might be, you will often be asked to send not only your CV but a cover letter as well. Even if you aren’t asked for one, sending a cover letter is always a good idea; it certainly can’t hurt, and it might just make your application stand out above someone else’s.

The cover letter is all about giving the employer more information about you than your CV – no matter how interesting and varied it might be – can do. It’s an insight into who you are, rather than what you can do and how long you’ve been doing it. And when an employer has to read many CVs to fill just one role, giving them more information to show them that you can do what they need you to do is important.

Here are some tips on how to write a cover letter that will get noticed.

Make It Specific

Once you’ve written your cover letter, you can re-use it time and again when you apply for jobs, to a point. It’s important to not just copy and paste the exact same letter every time. Instead, you should change it for each job you apply for so that it is much more specific. Although this will take extra time, it is worth doing – it will show the employer that you have read the job description properly, and that you understand what the role requires. You may also want to include some details about why you want to work for the company you are applying for, and show that you know who they are.

cover letter lightbulb moment

As well as this, it will help you determine whether or not the job really is what you are looking for. Since you will have to read the advert for the job more closely, you will be able to make sure you are comfortable in applying for the position. If you aren’t, move on to the next job. If all checks out, then send your CV and cover letter to the employer.

Write A Great First Paragraph

Just as an employer is going to read a lot of CVs, they are also going to read a lot of cover letters (although not as many, as some people just don’t bother with them, which is always a mistake). So you need yours to stand out. The best way to do this is to make sure you have a great first paragraph.

Start with a strong statement right at the start that tells the potential employer that you are pleased to be able to apply for the job. Mention the role’s title, and the company’s name. Then go on to explain why you are applying; what is it about the job that excites you? What is it about the company that makes you want to work there? If you can, try to match your tone with that of the company (you can check the website for this – are they casual? Formal? Conversational?).

Why You?

One of the most important elements of the cover letter you’re writing is the part where you explain why you are the best candidate for the position. Although your skills should be listed out in your CV, adding them into your cover letter in a more specific way can really cement the idea that you are the person who should be hired in the employer’s mind. Go into a little more detail than your CV allows; this will give the employer a good idea of who you are and what you can do, but it will also help you to prepare for the interview when it comes. It will help you to remember past successes and will put them at the forefront of your mind.

cover letter hired handshake

Finishing Up Your Cover Letter

To finish the letter, you should summarise why you are the ideal candidate for the job, and try to write it in one sentence.

This is the ideal time to invite the employer to get in touch with you; show that you are confident in your abilities and your fit for the job without being arrogant or cocky.

Finally, think about how you are going to sign the letter. Something like ‘cheers’ could be seen as too informal. ‘Yours faithfully’ or ‘yours sincerely’ might be accurate but too formal. ‘Best’ or ‘best wishes’ may be something you would write to a loved one, rather than a potential employer. Although how you sign off might not seem important, it is the last impression you leave with your potential new employer, so it is worth taking time over.

Get In Touch

If you need a little help writing your cover letter, please get in touch – it’s one of the many writing services I provide.

Ghostwriting Services – I Can Help

Ghostwriting services… Did you know I’m a ghostwriter?

I’m currently writing two stories for different clients – one is a cosy mystery and the other is a paranormal adventure! They are both very happy with the way the plots and characters are turning out.

If you need anything written, whether it’s a novel, blog, article, or anything else, please don’t hesitate to get in touch.

ghostwriting services

Why Do We Say That? Language And Its Origins

The origin of phrases can be absolutely fascinating. We use them on a daily basis, but not many of us ever stop to wonder why – why the words we say are part of our language, and what they really mean. Here are a few great examples of that – and their origins.

Don’t Throw The Baby Out With The Bath Water

Back in Victorian times, the practice for bathing was for the ‘man of the house’ to bathe first, then the wife, then the children in order of birth. Therefore, the baby would be last in the queue. By this time, so it is said, the water would be so dirty (people only tended to wash once a month) that it was entirely possible (apparently) to lose someone in it. Hence, when emptying the bathtub, the baby might be thrown out too!

 

Raining Cats & Dogs

When the majority of houses had thatched roofs, they were made by literally piling straw up – there was no wooden structure underneath. Now, due to straw being nice and warm, a lot of animals used to climb up and live in there, or at least sleep in there when it was chilly. But, when it rained the straw became slippery, and the larger animals (such as cats and dogs) would be washed right out. It would therefore be ‘raining cats and dogs’.

Bringing Home The Bacon/Chewing The Fat

If you were doing well in your profession, you might have been able to afford some bacon to go with your diet of (mainly) vegetables. If you could literally bring home the bacon, you would most likely hang it up to show it off hen guests came round. And because it was pretty expensive and a rarity to have it, it would be used sparingly. When friends came over for a chat, the fat would be cut off first, chopped into small pieces and handed out. You would ‘chew the fat’ with friends.

 

A Wake

Holding a wake for someone who has passed away has become something of a tradition, but it has a very practical origin. Whiskey and ale was served in pewter cups which contained lead, and this could have the effect of knocking someone out for two or more days. They might even be thought to be dead. But before arranging the burial, mourners would hold a wake – sitting around the ‘body’ with food and drink to keep watch in case the deceased woke up.

Dead Ringer/Saved By The Bell/Graveyard Shift

People were just not that great at knowing whether someone had actually died or were just pretty unwell. Premature burials were a definite thing. So rather than the trauma of worrying about burying someone alive, a bell would be attached to a piece of string, which would be attached in turn to the body. The bell would remain above ground, and, if the person in the coffin awoke, the bell would ring. They were known as ‘dead ringers’ who had been ‘saved by the bell’. And who would hear the bell ringing? It would be the person whose job it was to sit in the graveyard, on the graveyard shift, to listen out for it.

 

So there you have it; language is a fascinating thing. I wonder what phrases the people of the future will use that relate to us right now?

Due To Overwhelming Demand Neil Oliver Brings His UK Tour To Bromley This November

Due to overwhelming demand, Neil Oliver, archaeologist, historian, author and presenter of the TV series Coast, brings his hugely successful theatre tour The Story Of The British Isles in 100 Places to the Churchill Theatre in Bromley on Tue 19 November.   Neil who will be sharing his love of Great Britain and Ireland with audiences on this leg of the tour – first took to the stage in 2018 with a 38-date tour which coincided with the publication of his book of the same name.

credit: Grant Reed

Neil was appointed as President of the National Trust in Scotland in 2017 and is also known for his television series A History of Scotland and Vikings.   Whilst filming Coast Neil “fell in love all over again with the British Isles.  From north to south, east to west it cradles astonishing beauty.   The human story here is a million years old and counting.” Oliver comments.

Born in Renfrewshire in Scotland Neil Oliver studied Archaeology at the University of Glasgow and freelanced as an archaeologist before training as a journalist.  In 2002 he made his television debut with BBC Two’s Two Men in a Trench which featured Oliver and his close friend Tony Pollard visiting historic British battlefields. Since that time he has been a regular on our screens.

Discussing the tour Neil commented “Everything makes more sense when you study history. The more history you read, the less judgemental you become. All the things that are happening now have happened before. Countries reach a high point, and then they go through low points. That’s all explained by history. Like everyone else, politicians can have a better understanding of what’s happening by appreciating that there are patterns in history”.

The Story of the British Isles in 100 Places will give audiences the opportunity to share Oliver’s enthusiasm and unique perspective of British and Irish history.  In his amusing and entertaining way Neil Oliver will explain what it all means to him and why we need to cherish and celebrate our wonderful countries.

Neil Oliver: The Story of the British Isles in 100 Places

Churchill Theatre Bromley

Tue 19 November 2019

BOOK NOW

Churchill Theatre, High Street, Bromley, BR1 1HA

churchilltheatre.co.uk

Box Office: 020 3285 6000

tickets@churchilltheatre.co.uk

Theatre Review: Murder, Margaret & Me at The Churchill, Bromley

Agatha Christie… who was she really? Famed for her murders (in print, of course) and in particular for two of the most famous literary creations in history – Hercule Poirot and Miss Jane Marple – her name is known the world over. But who was she? It is this question that is at the heart of Murder, Margaret & Me, a fantastic, funny, dark, heart-breaking play by Philip Meeks.

credit Craig Sugden

Although the main story of the play revolves around two legends meeting, slowly becoming friends, and unravelling one another’s secrets, it begins with Agatha Christie. It has to. She, after all, made it all happen. Yet at this point in her career she has become ‘a brand’. She is losing her name (and herself) thanks to the demands of the tax man, and it scares her. It is forcing her agree to making her beloved Miss Marple into a motion picture, heaven forfend, and – worse still – rather than the birdlike, diminutive Miss Marple of her imagination, it is screen legend Margaret Rutherford, a large and loud lady known for her eccentricity and comedic turns, who is taking on the role (albeit reluctantly – murder is, after all, a sordid business). Why is she doing it? The tax man, of course.

So this is the set up of Murder, Margaret & Me. Two older women forced to become colleagues due to money, both doing something they never thought they would.

And then comes the murder. And the mystery. And, perhaps inevitably, Jane Marple is on the scene. Literally. She hovers over everything, never quite explained, a figment of both women’s imaginations perhaps, and it is in ‘The Spinster’ that they finally agree. They both know what Marple should be like, what she would say, how she would look, and it could indeed be this spectre at the feast (a gentile one who misses nothing and knows everything) that brings them together, pushes them apart, and then makes them friends once more.

Both women have a secret, you see, and neither wants the other to know about it. The difference between them is that Margaret Rutherford is quite happy to know nothing of what happened when Agatha Christie disappeared for 11 days in 1926, whereas Christie is unable to let go of the mystery surrounding Rutherford’s family and its dark past.

credit Craig Sugden

I know a lot about Agatha Christie. I have read the books, seen the films, the plays, the television series… so a lot of what was revealed about her was no surprise (although very nicely done; Lin Blakley does the famous writer justice), but I had no clue about Margaret Rutherford other than she played Miss Marple and that Christie wasn’t overly impressed with the idea at the start. Now, thanks to the play and to Sarah Parks’ impeccable performance, I want to know more. Much more. How could this legend of stage and screen, this tragic heroine in real life, have passed me by? This is the power of Murder, Margaret & Me – it has opened up new worlds and I have to explore them now.

Special mention must also go to The Spinster (who needs no introduction) who manipulates and pushes and pulls our two ladies in the direction they are meant to go in. Played by Gilly Tompkins, she is the Miss Marple we all know and love.

See Murder, Margaret & Me at The Churchill Theatre, Bromley, until 28th September: https://churchilltheatre.co.uk/Online/tickets-murder-margaret-me-bromley-2019

Revealed: Brits’ most desired smart bathroom technology #ad

83% of Brits’ desire a self-cleaning toilet!

66% of Brits’ want mood lighting fitted in their bathtub.

69% of Brits’ dream of digital controls for precise temperature, spray and timing in their shower.

Sanitising bathroom accessories tops list of bathroom technologies homeowners are dying to try!

A good lather and soak in the bath is the perfect antidote to stress, which is why more and more of us are turning to our powder room as a place to relax and unwind.

Accordingly, homeowners are seeking technologies to heighten their bathroom experience, taking lavatories, restrooms and water closets from humble necessity to the highlight of the home.

Interested in learning more about the relationship between homeowners and the latest smart bathroom technologies available, bathroom and shower experts Showerstoyou.co.uk surveyed 1,424 British proprietors to identify the tech features that most appeal to them.

It may come as no surprise when it comes to the toilet, homeowners most desire a self-cleaning feature (83%), followed by a self-deodoriser function (55%) and the ability to generate a heated seat (31%.)

69% of Brits are vocal about digital controls for precise temperature, spray and timing as the tech trend they most desire in the shower, followed by mood lighting (55%) and built-in sound – ideal for those that enjoy a shower-sing-along – at 48%.

Similarly, mood lighting (66%) tops the list of features British homeowners would most like to see fitted in their bathtub, followed by a built-in scented mist dispenser (62%) and a built-in heated backrest (41%); perfect for those sumptuous soaks.

In terms of general bathroom tech, a vast majority of Brits’ surveyed by Showers to You selected temperature control/thermostat smart control as the “general” feature they would like to see in their bathroom – at 62%.

Water conservation technology came second (41%); highlighting homeowners are becoming increasingly environmentally conscious within their homes; a trend which will likely ascend.

Wall-mounted, touch-panel interface was voted the third most-desired general smart bathroom technology (34%.)

The 5-bathroom technologies homeowners dream of trying:

Elsewhere in the bathroom tech universe, emerging technologies are tempting homeowners everywhere with the promise of sanitising, warming (and cooling), health-conscious solutions! Fairly new to the market, oftentimes underpinned by a hefty price tag, these technologies aren’t commonplace essentials… Yet!

Showerstoyou.co.uk asked homeowners which of these emerging technologies they’d most like to try in the future. Here’s the top 5:

  1. Sanitising bathroom accessories – 59%

Gadgets that use UV light to disinfect items like damp towels – leaving them fresh, fluffy and clean!

  1. Warming drawers – 52%

Think heated towel rack but in drawer form! The perfect place to store towels, robes and slippers.

  1. Fitbit Wi-Fi scales – 48%

An advanced set of scales, which track weight, lean mass, body fat and more – and sync data wirelessly and automatically to your Fitbit account!

  1. Virtual reality showers – 45%

This feature enables homeowners to project serene scenes – such as the beach, jungle or somewhere peaceful – within the washroom.

  1. Cooled cabinetry – 28%

Essentially refrigerated bathroom cabinets, which allow you to keep medicines cool (should you wish to), as well as store drinks!

 Credit https://www.showerstoyou.co.uk/

The Deep, Dark Woods

I write all sorts of things; flash fiction, poetry, short stories, novels… And these pieces of writing are in various genres; horror, romance, children’s, literary fiction, mystery… With over one hundred different projects, either completed or in process, I like to think that I’ve managed not to repeat myself when it comes to plot and characters.

I try not to anyway.

But there is one thing that I do mention a lot, and I’m completely aware of it. It’s not always intentional (although at times it is integral to the plot), but whether I mean it to be there at the start of a story or not, ‘the woods’ often pops up.

What do I mean? I mean actual, literal woods. Deep, dark places full of trees and animals and scary things. Or peaceful places full of beauty and clearings of dappled sunlight and twinkling, tinkling streams that lead on to adventure.

woods

I love to read about them. When I was younger, The Faraway Tree was one of my all-time favourites, and the two poems that are stuck on the wall by my writing desk are “The Listeners” by Walter de la Mare, and “The Road Not Taken” by Robert Frost.

I love to write about them too. Sometimes my stories are set within the trees. My children’s horror entitled The Waldgeist of Wanderal Woods, focuses the entire story in the magical world below a lush, green, leafy canopy. Another of my short stories is called “The Woods Today”, and is about a rather nasty teddy bears picnic. And another, “Miles To Go” details the shock and confusion of a man who awakes naked in a snowy wood.

Equally, some of my stories just touch on the woods. In “Fairy Lights” the protagonists camp by the edge of a wood, not daring to enter. “One Man and His Dog” has the eponymous man looking towards the woods, but eventually going in the other direction. “Careful of the Castle” involves a woman sitting on a hot, sandy beach; but she wishes she was wandering through the shaded woods of her home town.

There is something so fascinating, so elemental, so mysterious and exciting about woods, inside or out, that I find myself drawn to them. Of course, it helps that I’ve lived near one for almost all of my life. Or rather, near a few of them. The very first house I can remember backed onto woodland. I have a distinct memory of playing in the garden, sitting on a swing that my dad made and which hung from a big old apple tree, and staring, hard, hard, harder, over the back fence and into the woods. I wanted to see something move. I never did, unless wind-waving leaves counted.

woods

A few years later we moved, and this time the garden was bigger, and at the bottom of this one was a large meadow on which horses roamed. That was nice. That was fine. But it was what was beyond the meadow, just on the horizon, that delighted me – a patch of trees that I was happy to call a wood. I even climbed over the back fence on a few occasions and ran across the field, dodging manure, to reach the trees. But fear of what (or whom?) I would find forced me back home. I never did go in.

And then I found a reason to go into the woods. The geocaching adventures I go on now mean that I have to enter the trees and I have to search amongst them. Now I love the woods even more.

Flash Fiction: Soft Snowflakes

Soft Snowflakes

Soft snowflakes began to fall. “How funny,” she thought, “that winter should come on the very day my heart began to melt.”

“How funny,” she thought, “that winter should come at all.” She pondered this as she sipped her warming wine and tried to ignore the hunger pangs that accompanied every swallow. She couldn’t remember the last time she’d eaten. Not today. Not even yesterday. The day before? Possibly. If that was the day she had left the hospital then definitely. But that could have been a week, a month, a year ago. It seemed to her that she had been sitting in this window seat waiting for the snowflakes, drinking wine and tucked up against the world for decades. For centuries. For eternity.  Little wonder, then, that she was feeling light-headed.

There was a sound, but she couldn’t place it. It was familiar, like a well-used door opening or a creaky stair being stepped on. A comforting sound. A safe sound. A loved sound. And that sound, and her knowing that she would soon hear it no longer, made her suddenly weep. She lowered her head to her raised knees and sobbed for the sadness of it all, for the unfairness. Her wine glass dropped, the red liquid cooling and spreading along the cushion she had re-upholstered herself in happier days.

snowflakes

The sound came again and she knew it through her grief. It was her husband’s key in the lock. Her melting heart, dwindling and dripping away, bit by bit, made an effort to pound harder, but failed. His key in the lock. It wasn’t possible, of course she knew that. She had left him, all those eons ago, dead from a heart attack. She had left him in the hospital, alone, and she had returned home, alone. And she was still there, and he was still there. Nothing had changed. But that sound…

She didn’t, as many would, rush to the door, fling it open and find nothing. She didn’t move at all. She reached down, picked up the almost empty bottle and refilled her glass. She watched the snow fall and listened as her heart melted.